Sally Geeson:
Ah yes. The almost impossibly pert Sally Geeson, always giving Sid James attacks of fatherly apoplexy in 'Bless This House' with her mini skirts and innocent entendres. Perhaps of all the dolly-bird era stars, Sally Geeson has most consciously elected to preserve her image in amber, having vanished from our screens in 1976.
In 'Man In A Suitcase' |
The younger sister of Judy Geeson, she was in three Carry On films - although just a nameless extra in Carry On Regardless (1963) - being more memorable in 'Carry On Girls' (1974) and 'Carry On Abroad' (1972), two of the coarser late efforts in which she shines as the wholesome variety of 'crumpet'. I can hardly bring myself to recall the dreadful Norman Wisdom vehicle 'What's Good for the Goose' (1967), with the middle-aged star as a supposedly urbane married businessman who is drawn into the 'bewildering amoral world of free love'. The period detail is interesting - including R&B wildmen The Pretty Things in a club scene - but you still expect him to start shouting 'Mr Grimsdale!' despite the ponderous soul-searching and Carnaby Street clobber. Hats off to Miss Geeson for her gleeful performance in the face of such a challenge. And while we're on the subject of horrors, she also appears in 'The Oblong Box' (1969) and more fleetingly in 'The Cry of the Banshee' (1970), both featuring Vincent Price.
One of the excruciating bedroom scenes in the painfully awkward Norman Wisdom meets Swinging London comedy 'What's Good for the Goose' (1967) |
As the rather reckless maid in 'The Oblong Box (1969) |
A sweet young thing in 'The Strange Report' |
Sally Geeson-imdb
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