Margaret Nolan

Margaret Nolan:

† Oct 29 1943 - Oct 5 2020 


Prodigiously busty blonde actress and glamour model who features prominently in some classic and not-so-classic British cinema of the '60s and '70s. The iconic opening titles of 'Goldfinger' (1964) feature scenes from the film projected on to her gold-painted body and lamé bikini, and she appears early in the film as Bond's Miami masseuse, and at the other end of the spectrum she is imprinted on the collective psyche as Dawn Brakes in 'Carry On Girls' (1973), wrestling with Miss Fircombe beauty contest rival Barbara Windsor, but wearing a silver bikini this time.        

 'Carry On Girls' (1973)

With Wilfrid Brambell in 'A Hard Day's Night' (1963)

Despite all the cheesecake and Carry Ons, she definitely proved comfortable with speaking roles and gave creditable performances in more serious TV favourites like the tough gangster serial 'Fox' and things like 'The Sweeney', 'The Persuaders' and 'Budgie'. More often than not, though, it was cheeky dollybird roles that beckoned, such as 'Q9', 'Whatever Happened to the Likely Lads', 'Steptoe & Son' and even the third-ever episode of 'Last of the Summer Wine' from 1973.     

As old flame Jackie in 'Whatever Happened to the Likely Lads'

With Valerie Leon in 'No Sex Please, We're British' (1975)

In recent years, she has taken up photo-montage, mainly working with glamour images of herself, which is an intriguingly empowering twist on a career defined by the male gaze. 

 

'Yeah Yeah Yeah (On White)'.
Photo-montage by Margaret Nolan, 2013

  


Margaret Nolan-imdb

John Bluthal

John Bluthal: 

† Aug 4 1929 – Nov 15 2018

It's pretty likely that much loved actor John Bluthal is mostly recognised by the recent generation of TV viewers for his portrayal of Frank, the sensitive, elderly, gay parishioner of 'The Vicar of Dibley'. To older viewers he is unmistakable as one of Spike Milligan's mischievous cronies from his 'Q' series (see also: Keith Smith; Sheila Steafel) or possibly as Manny Cohen, the archetypal Jewish tailor from the long-running sitcom 'Never Mind the Quality, Feel the Width'. 
  

As Frank in 'The Vicar of Dibley'

In fact, the tailor schtick was to prove a bit of a recurring theme (see: Solly Salmon in 'Minder', and similar turns in 'Allo Allo' and 'Super Gran', not to mention 'Carry On Don't Lose your Head'). Of Polish Jewish heritage, he has been called upon to portray an extensive range of ethnicities, particularly during the pre-correctness years of British TV: Pakistani, Italian, Greek, Irish, American, Indian, Russian, and many more. It's helped him rack up a phenomenal list of classic TV credits: Comedies from 'Hancock', 'Sykes' and 'The Goodies' to 'Not Only But Also' and 'One Foot In The Grave'; dramas like 'The Saint', 'The Avengers', 'The Baron' and 'Man In A Suitcase' from the cult TV era, through to the post-'80s plod of 'Morse', 'Bergerac', 'Casualty' and 'The Life and Loves of a She-Devil'.

Bluthal was the voice of Commander Zero in Gerry Anderson's 'Fireball XL-5' and also the voice of HBX Belgrade in the Hancock episode 'The Radio Ham'. 
                

 

In 'Doctor Down Under'

With Spike Milligan in Q7

In the cinema, his talents were on show in 'The Mouse in the Moon' (1963), the kitchen-sink classic 'This Is My Street' (1964), 'Help!' (1965), 'The Knack' (1965), 'Casino Royale' (1967), 'Don't Raise the Bridge, Lower the River' (1968), 'The Bliss of Mrs Blossom' (1969), The Return of the Pink Panther' (1975), and 'The Fifth Element' (1997). 

With Leo McKern in 'Help!' (1965)

"A licence for my… minkey?" 'The Return of the Pink Panther' (1975)

John Bluthal - imdb

David Janson

David Janson: 

Always seemingly eager to please, this boyishly bowl-cut actor has cropped up in odd forgotten corners of British TV for nearly 50 years, including appearances in 'Softly, Softly', 'Doomwatch', 'Jason King', 'The Fenn Street Gang', 'Dixon of Dock Green', 'Z-Cars', 'Brush Strokes', 'T-Bag Strikes Again', 'Ever Decreasing Circles', 'Get Some In!', 'The Upper Hand', and Hyacinth Bucket's long-suffering postman in 'Keeping Up Appearances'.

His first brush with fame came as the truant schoolboy in Richard Lester's much loved Beatles movie 'A Hard Day's Night' (1963) in the sequence where Ringo similarly plays truant from the band, kicking stones into the canal and messing around with his new camera.  A stint in the then-popular TV drama 'The Newcomers' (groovy theme by John Barry) in 1965/66 seemed promising, but it's all-but forgotten now.

The nearest he came to front-room TV star status was in the RAF national service comedy 'Get Some In' as likeable everyman Ken Richardson, constantly victimised by the 'orrible Corporal Marsh (Tony Selby). But somehow his leading man status seemed to ebb away in the direction of cheeky teddy boy Robert Lindsay (soon to get his big break as Wolfie in 'Citizen Smith'). Even more discouraging was his short-lived stint in 'Allo Allo', inexplicably replacing Richard Gibson as Herr Flick of the Gestapo in the last death throes of the series in 1992.  

And so a character actor he has remained, and we salute him here.  

  

As Michael the postman in 'Keeping Up Appearances'

With Ringo Starr in 'A Hard Day's Night' (1963)

David Janson - imdb

Anna Quayle

Anna Quayle: 

† Oct 6 1932 – Aug 16 2019

Charming character actress who is apparently now quietly retired on the south coast. She played a number of severe, sad, sexy and strange roles in the '60s and '70s, including cult films like 'A Hard Day's Night' (1964), 'Smashing Time' (1967), 'Casino Royale' (1967) and 'Chitty Chitty Bang Bang' (1968), TV high points include 'The Avengers', Brideshead Revisited', 'Mapp & Lucia', and low points 'Never The Twain' and 'Grange Hill'.

She also has a choochie face 

Anna Quayle - imdb profile